Some articles from 1960s music magazines

Here’s some more interesting stuff from (mainly American) music magazines from the 1960s.  They’re in no particular order:

The Electric Prunes

E Prunes001

The Beach Boys

Beach Boys001 Beach Boys002

Buffalo Springfield

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Nancy Sinatra

Nancy S001

Jefferson Airplane

JA001 JA002 Jefferson AP001 Jefferson AP002 Jefferson001

The McCoys

McCoys001 McCoys002

The Strawberry Alarm Clock

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The Blues Magoos

Blues Magoos001 Blues Magoos002

1910 Fruitgum Company / The Lemon Pipers

1910 Fruitgum001

The Byrds

Byrds001 Byrds002 Byrds003 Byrds004 Byrds005 Byrds006 Byrds009

Donovan

Donovan001Donovan006

The Turtles

Turtles001Turtles002Turtles005Turtles009

Nico (or should I say Nicky?) with some bloke…

Nico001Nico002

The Cryan’ Shames

Cryan Shames001

The Standells

Standells004Standells001

The Box Tops / The Hollies

Box Tops Hollies001

The Troggs

Troggs005

Jimi Hendrix

Jimi H001

“Ten Groovy New Groups”

10 new bands001 10 new bands002 10 new bands003 10 new bands004 10 new bands005

These articles / photos are taken from the following magazines:  Movie Teen Illustrated July 1967, February 1968, July 1968, October 1968; Teen’s Top Ten March 1967; Datebook February 1967; Teen World February 1966; Music Echo 9 April 1966.

The Left Banke teen magazine press

The Left Banke are cutie pies (and “a long hair group” too apparently!) so it’s no wonder they featured in the American teen magazines in the 1960s.  I recently found a couple of magazines with articles about them and thought they should be shared.  Hope you like them:

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The above article is from a magazine called Teen’s Top Ten dated March 1967.

The second article is from a magazine called Movie Teen Illustrated dated July 1967:

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Teen’s Top Ten also included this little snippet about the band:

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I’m still hanging about a bit for the band to come over to the UK to play – please someone bring The Left Banke over here to do some shows soon!

Lost and Found: Bay Area Top 40 listings collection part one 1960 to 1967

Continuing with the “stuff I found in San Francisco” theme, here is the first part of a post about a folder I purchased filled with Top 40 listings from radio stations in the Bay Area which covered the periods of 1957 to 1967.  It’s fair to say that the collection is more complete during the earlier period but I’m more interested in the later period and was most interested in the sole listing from 1967 which includes references to some of my favourite bands – The Seeds and The Left Banke – so I’m going to do this backwards (like the credits for Robert Aldrich’s Kiss Me Deadly) and go from 1967 through to 1957.  I’ll have to see how I go with all the scanning – there’s a lot – so this may be in several parts.

This part starts, then, from 16 January 1967 and goes back to 4 January 1960.  I hope someone will find this of interest – personally I like all the doodling and comments the collector makes, but most of those will follow later with the listings from the 1950s.  Seems like the enthusiasm was fading by the early to mid 60s, which is a shame as I’d love to know what the collector made of bands like The Seeds and ? and the Mysterians and so on.

Anyway, here’s part one:

Top 40 160167001

Top 40 241161002

Top 40 241161001

Top 40 221060001

Top 40 270260002

Top 40 270260001

Top 40 220260001

Top 40 150260001

Top 40 080260001

Top 40 010260001

Top 40 250160001

Top 40 180160001

Top 40 110160001

Top 40 040160001

Part Two to follow shortly.

Five reasons not to date The Left Banke

Look at them – just look at them.  They’re so sweet looking, what girl in her right mind wouldn’t want to date The Left Banke?  With their mix of baroque pop and garagey rawness, their cute hairdos and stylish clothes, they seem so ideal.

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But, hang on a minute… if you listen a little closer, the music that sounds so lovely (which I adore) is coupled with lyrics that reveal just why The Left Banke would make bad boyfriends.  Don’t believe me?  Look at this:

1)      Walk Away Renée ­– You feel sorry for the lovelorn guy who wrote these words – this Renée doesn’t seem to care that he’s heartbroken and pining for her.  But maybe that’s because Renée already has a boyfriend (Tom Finn) and this guy (Michael Brown) knows it.  Kind of creepy, then, to hear that line, “…You won’t see me follow you back home.”  He was probably standing outside her window peering in with his hungry eyes – eek!  He’s even written Renée’s name and his in a heart upon the wall, as if they’re dating.  That’s very scary indeed!

left_banke003aThis is a photo of the actual Renée

2)      I Haven’t Got The Nerve – Okay, granted Mr Left Banke seems to be saying that he thinks his girlfriend never loved him anyway but in this song he’s also saying he hasn’t got the nerve to tell her the relationship is over and that he doesn’t love her anymore.  I wonder if he’s saying “It won’t hurt to see me gone” to excuse himself for the fact that he wants out because he “can’t take much more”.  It doesn’t sound like a healthy approach to relationships, does it?  If it’s not working out, either work on it or finish it, no need to hem and haw over it – and don’t be a coward about it!

3)      Pretty Ballerina – There’s nothing worse than boys who have these ideals of women – you know you’re never going to match their ideals and they’ll be disappointed with you for that reason.  The most annoying thing about it all is their ideal woman just doesn’t exist – even if a woman meets the physical ideal, there’s bound to be something wrong with her personality that means she doesn’t quite conform to the image of perfection.  In this case the Pretty Ballerina is Mr Left Banke’s ideal woman “with hair so brilliant that it hurt [his eyes]”.  Either the Pretty Ballerina exists or she doesn’t exist, I can’t make my mind up on this point.  Mr Left Banke says he had a date with her and danced with her, but in the final verse he seems to be closing his eyes so he can summon up this idealised image of a woman. I’m thinking maybe she’s like Renée – someone Mr Left Banke has seen in real life, but not necessarily someone he has actually engaged with; he just dreams about dating her.  A bit like in René Clair’s film Les Belles de Nuit.  Before long he’ll just be wanting to go to bed so he can summon her up again and he won’t actually be living at all, except in his dreams.  Forget the Pretty Ballerina and get a real girlfriend, I say!

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4)      Let Go of You Girl – Again, Mr Left Banke’s not happy with his girlfriend – that’s fine in itself but it’s just the way he puts his views across about the relationship: I’ve got to make you see / You’re not the girl for me / And I will prove it to you / So that you will see / I will let go of you girl.   How exactly does he propose to make this girl see that she’s not the girl for him?  It all sounds a bit harsh to me, showing her “that things are really bad / The things that you have said / The words that make me mad”.  It’s all her fault, isn’t it?  And I suppose he’s going to relentlessly tell her all the things she has done wrong before he dumps her.  The worst thing about it all is he knows she is going to be upset about it and seems to revel in telling her “You’re gonna cry” – to the extent that he repeats it 18 times during the song.  He’s really definite on that point, then.  Ouch!

5)      What Do You Know – And when the boot’s on the other foot, Mr Left Banke doesn’t seem to like it one bit…  This time he’s been dumped and it would seem with good reason, given the attitude he’s taking:  How can you say that I’m to blame / You’re the one that isn’t quite the same / Think on it girl, think on it girl / What do you know?  Um, she knows that she doesn’t want to date him anymore, that’s what she knows.  Saying things like “I feel as though, I’d like to know, What did I do?  …I ask you, how can you tell me that we’re through?  I’ve seen the world more than you.  How can you tell me to my face, You’ve found someone else to take my place?” does not strengthen his case for reconsideration.  Claiming you don’t know what you’ve done is not a point in your favour; it just shows that you’re insensitive.  Having seen more of the world than someone else does not make you wiser or more of a catch either.  Clearly.  And, yes, I can understand the shock that she’s made the decision to dump him for someone else, but that’s only because Mr Left Banke either “hasn’t got the nerve” to do any dumping himself or because when he does dump a girl, he decides to stick the knife in and make her cry.  This girl just decided to be honest with him and finish it, that’s all.

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It’s interesting what you find when you deconstruct stuff – but with The Left Banke’s songs, you can put the pieces back together and they are still perfect after they’ve been reconstructed.  They are one of my favourite bands ever and the first Left Banke album, Walk Away Renée / Pretty Ballerina, from which all of the above songs come, is one of my all-time favourites so don’t think I am disrespecting The Left Banke – I love them.

The best Left Banke item in my collection is my Pretty Ballerina / Lazy Day 7” with a picture cover.  Some idiot drew a big line on the cover with felt tip and it was quite expensive but it’s so rare to see the singles with picture covers that I couldn’t resist buying it anyway.

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The Left Banke have been doing some gigs over the last couple of years and there’s currently a campaign online to get them to come over to London to play here – I really hope they do come over so I can finally see them.  Go to this webpage and click yes if you want The Left Banke to do a UK gig:  http://stevomusicman.wordpress.com/2013/02/20/the-left-banke-london/  As StevoMusicMan says, “dreams can come true!”

Aside from the picture of my Left Banke 7″, the rest of the photographs are taken from Shindig! magazine (Quarterly No 3, 2011) , which includes an extensive article about the band with loads of rare photographs.  If you’ve not read the article yet I’d recommend tracking down a copy of this magazine as it’s very informative and makes excellent reading.